jonasgoat

la bomba de tiempo

In Argentina, Buenos Aires, out and about, Sud America, tunnnneeeee! on April 20, 2010 at 4:05 pm

How comes afrobeat isn’t more popular here, la bomba de tiempo are rocking the crowd! Maybe it’s the live performance aspect of it, but femi kuti should come and play here he would have a lot of fun
Listening to la bomba de tiempo both during the show and later at the after party when they play with an electric guitar, horn section, a drummer and a xylophone player, it’s amazing how tribal it becomes, a musical exorcism, polyrhythmic, and so fucking loud. The drums roll and roll and roll, and the horns trill, shrill, giving melodic counterpoint to the throbbing drums. It becomes all encompassing, it pushes everything else away and you are connected to the drums, as they switch between one stanza and the next, foot never stopping it’s tapping, as the group finds new ways to make you sweat. Each band leader making throwing signs in their own way, as into the music they are making, that is unfolding under their direction as we are at hearing it unfurl flaglike before us. Stomp and stamp, yell and scream and wait for the drop to come when the thunder rolls deep and full.
Hands pointed, fingers upraised, palms curled, signal shorthand, waiting poised, each member focused, awaiting instruction, a point, a cut, a wave, a circle, line drawn in the air, here it comes, teased with crescendoes that return to solos, waiting, anticipating, here comes the clapping, then the drop, 120bpm. Flooding the air, primal and beyond conscious comprehension, it takes the breath away, sucks it out of you as you dance. Sweat running in rivulets, soaking clothes, shirts, vests, blouses, tops, tees, bras. It defies the descriptions that I try to give it, it pulls you outside of yourself and into the memory that we all hold of fires burning deep into the night, callused hands pounding on animal skin pulled tight across bowed wood.
Man in black vest and baggy pants spinning dervish, unable to stop, girl Afro full and unkempt, hips swirling, feet a blur, crowd pogoing, hands aloft, throats roar, blood flooding their extremities. The ache of the feet, soreness in the hips, thighs, calves. Chest tight as you try to draw breath, and the drums roll on, roll on, tumble and never stumble, never falter. Mama Africa in us all!
The electrification of it halting it’s power not at all, bound to it now as we all are, adding a melodic content on top of the power of the drums. Hands blur as they beat out what their leader commands, bound together by his clenched fists, and his imperious commands, silent but so forceful. He drums and they follow, we follow, we will always follow.

It is in our blood, in  the people our ancestors used to be. Moved from one continent to another, the drums taken from us, hands born to pound the call, forced to do other work, but the drums call, they call and in the end, blood will out. So we shuffle and dance, arms flail, we swirl and the ashes from the fire we circle around pop and crackle and are uplifted to the heavens, and the stars above us are the same ones those who came before saw and danced underneath. Nothing changes except what we do to the place we call home. The drums never change, they still call us home….

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